^ 


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EXCHANGE 


PRINTS 

AND  THEIR  PRODUCTION 


SUPPLEMENT 


COMPILED   BY 


FRANK   WEITENKAMPF,  L.H.D. 

CHIEF,   ART    AND    PRINTS    DIVISION 


NEW    YORK 
I  9  I  7 


PRINTS 

AND  THEIR  PRODUCTION 


SUPPLEMENT 


COMPILED   BY 

FRANK    WEITENKAMPF,  L.H.D. 

CHIEF,   ART    AND    PRINTS    DIVISION 


NEW   YORK        Tl,.t,\"^  ^>^"^^^y 
u 

I  9  I  7 


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NOTE 

This  list  contains  the  titles  of  works  relating  to  prints  and 
their  production,  added  to  the  Reference  Department  of  The 
New  York  Public  Library  since  November  1, 1915.  They  are  in 
the  Central  Building,  at  Fifth  Avenue  and  Forty-second  Street. 


REPRINTED   NOVEMBER    1917 

FROM  THE 

BULLETIN   OF  THE  NEW  YORK  PUBLIC   LIBRARY 

OF  SEPTEMBER  1917 


torin  11-104  (xl-15-1-  3fl 


PRINTS  AND  THEIR  PRODUCTION 


SUPPLEMENT 


Compiled  by  Frank  Weitenkampf,  L.H.D, 

Chief,  Art  and  Prints  Division 


This  list  comprises  material  received  since  publication  of  the  original  list  in  the  Bulletin   for  November 
and  December,  1915. 


photographs, 
of  the  Paris 
Paris:  Revel- 
4°.  (Institut 
Publications. 
MA 


General  and  Miscellaneous  Works 

L'Image;  revue  litteraire  et  artistique, 
ornee  de  figures  sur  bois...  Dec,  1896- 
Nov.,  1897.    fParis:]  Floury  [1896-97.1    f°. 

fMDA 

No  more  published. 

Institut  frangais  aux  fitats-Unis.  —  Musee 
d'art  frangais  de  New  York.    Classification 
of    documentary    prints     & 
based   on    the   classification 
"Musee  des  arts  decoratifs." 
lat,    1912.      1    1.     f°    folded 
frangais     aux     fitats-Unis. 
no.  10.) 

Levis,  Howard  C,  Nicolaus  Claudius 
Fabricius,  Lord  of  Peiresc,  called  Peires- 
kius.  Printed  for  H.  C.  Levis.  London: 
The  Chiswick  Press,  1916.  4  p.l.,  11-67  p., 
1  port,    illus.    8°.  MDC 

One  of  fifty  copies. 

Contents:  Introductory  note.  Notes  on  the  life  of 
Peireskius.  References  to  the  art  and  history  of  en- 
graving in  "The  mirrour  of  true  nobility  &  gentility," 
by  Petrus  Gassendus.  1657.  The  engraved  portraits 
of  Peireskius.  The  engraved  portraits  of  Gassendus. 
Appendix:  Bibliographical  description  of  "The  mir- 
rour of  true  nobility." 

Title-pages  of  four  early  books  in 

English  relating  to  engraving,  also  the 
pages  therein  which  contain  the  sections  on 
engraving  and  printing  from  engraved 
plates,  also  the  earliest  illustration  in  an 
English  book  of  an  engraving  instrument. 
London:  privately  printed  at  the  Chiswick 
Press,  1916.    14  1.,  6  facs.    8°.  MDBF 

no.  20  of  30  copies  printed  for  private  distribution. 

Radin,  Herman  Theodore.  On  print-col- 
lecting as  a  hobby  for  doctors.  [New  York, 
1916.]    369-373  p.    illus.    4°.  MDC 

Excerpt:  The  medical  Pickwick,  Oct.,  1916. 

Ris-Paquot,  Oscar  Edmond.  Guide  pra- 
tique du  restaurateur-amateur  de  tableaux, 
gravures,  dessins,  pastels,  miniatures,  etc., 
reliures  et  livres,  suivi  de  la  maniere  de 
les  entretenir  en  parfait  etat  de  conserva- 


tion.   Paris:  H.  Laurens,  1890.    2  p.l.,  260  p., 
8  facs.,  2  pi.    illus.    8°.  MBK 

Townsend,  Horace.  Prints  and  their 
prices.  New  York:  Kennedy  &  Co.  [1916.] 
19(1)  p.    illus.    8°.  MDC 

Union  centrale  des  arts  decoratifs,  Paris. 
—  Bibliotheque.  Classement  methodique 
de  la  collection  de  gravures  et  photo- 
graphies. [Paris:  L'Union  centrale  des  arts 
decoratifs,  18—?]  f  MLB 

Broadside  46  X  22^  in. 


History:  Regional 

Baker,  William  Spohn.  American  en- 
gravers and  their  works.  Philadelphia: 
Gebbie  &  Barrie,  1875.  x,  11-184  p.,  4  facs., 
86  pi.,  55  ports.    12°.  MDDF 

Brinckmann,  Albert.  Die  praktische 
Bedeutifng  der  Ornamentstiche  fiir  die 
deutsche  Friihrenaissance.  Strassburg:  J. 
H.  E.  Heitz,  1907.  ix(i),  98  p.,  1  1.,  25  pi. 
8°.  (Studien  zur  deutschen  Kunstge- 
schichte.     Heft  90.)  MDB 

Duportal,  Jeanne,  fitude  sur  les  livres  a 
figures  edites  en  France  de  1601  a  1660. 
Paris:  H.  Champion,  1914.  3  p.l.,  viii,  385  p., 
4  1.,  45  pi.  4°.  (Revue  des  bibliotheques. 
Supplement  13.)  MDT 

Geisberg,  Max.  Das  alteste  gestochene 
deutsche  Kartenspiel  vom  Meister  der 
Spielkarten  (vor  1446)  hrsg.  von  Max  Geis- 
berg. Mit  68  Abbildungen  in  Lichtdruck. 
Strassburg:  J.  H.  E.  Heitz,  1905.  56  p.,  1  1., 
32)  pi.  8°.  (Studien  zur  deutschen  Kunst- 
geschichte.    Heft  66.)  MDG  (Master) 

Gillot,  Charles.  Collection  Ch.  Gillot. 
partie  2.  Paris:  [fivreux,  Imprimerie  de  C. 
Herissey],  n.d.    f°.  f  MDBV 

Partie  2.    Estampes  japonaises  et  livres  illustres. 


[3] 


366321 


1  ^  ?  >  ^ 


THE  NEW  YORK  PUBLIC  LIBRARY 


History:  Regional,  continued. 

Gosse,  Edmund  William.  British  por- 
trait painters  and  engravers  of  the  eight- 
eenth century,  Kneller  to  Reynolds;  with 
an  introductory  essay  and  biographical 
notes.  [Fine  paper  ed.]  Paris,  London, 
New  York,  Berlin:  Goupil  &  Co.,  Manzi, 
Joyant  &  Co.,  successors,  1906.  3  p.l.,  90  p., 
1  1.,  100  pi.,  2  ports.    f°.  tt  MCT 

Harvard  University.  —  Fogg  Art  Mu- 
seum. A  loan  exhibition  of  early  Italian 
engravings  (intaglio),  Fogg  Art  Museum. 
Cambridge,  Mass.:  Harvard  University 
Press,  1915.    357  p.    illus.    4°.         t  MDBF 

La  Farge,  John.  Oriental  art  objects,  the 
property  of  J.  La  Farge;  to  be  sold  March 
24-27,  1909. . .  New  York:  Anderson  Auc- 
tion Co.,  1909.    71(1)  p.    8°.    (no.  741.) 

MAX  p.v.17,  no.2 

Utamaro  Kitagawa.  Utamaro.  Estampes 
japonaises  tirees  des  collections  de  MM. 
Bing,  Bouasse-Lebel,  Bullier. .  .et  exposees 
au  Musee  des  arts  decoratifs,  en  Janvier 
1912.  Catalogue  dresse  par  M.  Vignier, 
avec  la  collaboration  de  M.  Inada.  Paris: 
D.  A.  Longuet,  1912.    47  p.,  1  1.,  115  pi.    f°. 

tt  MDBV 

Introduction  signed:  Raymond  Koechlin. 
no.  59  of  130  copies  printed. 

Victoria  and  Albert  Museum,  South  Ken- 
sington. Tools  and  materials  illustrating 
the  Japanese  method  of  colour-printing;  a 
descriptive  catalogue  of  a  collection  ex- 
hibited in  the  museum.  London:  H.  M. 
Stationery  Office,  1913.  22  p.,  3  pi.  illus. 
8°.  MDBV 


Exhibitions  and  Public  and  Private 
Collections 

American  Art  Association,  New  York. 
Illustrated  catalogue  of  the  notable  collec- 
tion of  views  of  New  York  and  other 
American  cities,  historical  china  and  books 
relating  to  New  York,  formed  by  Mr. 
Percy  R.  Pyne  2d.  To  be  sold  without 
reserve  or  protection...  Catalogue  de- 
scriptions written  by  Mr.  Robert  Friden- 
berg.    New  York  tl917j.    73  1.,  49  pi.    4°. 

MDE  (Pyne) 

Art  Institute  of  Chicago.  Catalogue  of 
a  memorial  exhibition  of  prints  from  the 
Clarence  Buckingham  collection.  [Chi- 
cago:] Art  Institute  of  Chicago,  1915.  22  1., 
8  pi.    8°.  MDE  (Buckingham) 

British  Museum.  —  Department  of  Prints 
and  Drawings.  A  guide  to  the  processes 
and  schools  of  engraving  represented  in 
the  exhibition  of  select  prints,  with  notes 
on  some  of  the  most  important  masters. 
Printed  by  order  of  the  trustees.  (London: 
W.  Clowes  &  Sons,  Ltd.,]  1914.  54  p.,  1  1.. 
1  plan,    illus.    8°.  MDI 


Dutuit,  Auguste.  Union  centrale  des 
beaux-arts  appliques  a  I'industrie.  Exposi- 
tion du  Palais  de  I'industrie.  Souvenir  de 
I'exposition  de  M.  Dutuit  (Extrait  de  sa 
collection).  Paris:  [A.  Pillet  fils  aine,]  1869. 
2  p.l.,  (1)4-107  p.,  21  pi.,  1  port.    4°.    MDE 

Marx,  Roger.  Catalogue  des  estampes 
modernes  composant  la  collection  Roger 
Marx,  dont  la  vente  aura  lieu  a  Paris... 
1914...  [Paris:  C.  Berger,  1914.]  102  p., 
44  pi.    f  °.    (no.  329.)  t  MDE 

Musee  Dobree,  Nantes.  Catalogue  des 
estampes.  Nantes:  Vie  [1904].  2  p.l.,  xv, 
257  p.,  1  1.    12°.  MDE 

Museo  civico  di  Verona.  Catalogo  dei 
quadri  e  stampe  del  Museo  civico  di 
Verona.  Bergamo:  Istituto  italiano  d'arti 
grafiche,  1913.    3  p.l.,  (1)6-148  p.,  1  pi.  12°. 

MAVZ 


Individual  Artists 

Armour,  George  Denholm.  Pastime  with 
good  company,  pictured  by  G.  D.  Armour, 
with  an  introduction  by  Horace  G.  Hut- 
chinson. London:  "Country  Life,"  Ltd. 
[1914.,    viii,  12  p.,  55  pi.    f°.  tMEM 

Bauer,  Marius.  Marius  Bauer,  door  Ph. 
Zilcken.  Amsterdam:  Uitgevers-Maat- 
schappy  "Elsevier."  1912.  19  p.,  10  pi., 
1  port.  f°.  (Hollandsche  schilders  van 
dezen  tijd.)  t  MDG  (Bauer) 

Bird,  Elisha  Brown.  E.  B.  Bird:  his  book 
plates.  Printed  at  the  Troutsdale  Press. 
Boston:  C.  E.  Goodspeed  [1904].  8  p.,  14  pi. 
8°.  MDVK 

Text  by  Winfred  Porter  Truesdell. 

Brown,  Frank  Chouteau.  The  bookplate 
designs  of  Frank  Chouteau  Brown.  Bos- 
ton: printed  at  the  Troutsdale  Press  and 
sold  by  C.  E.  Goodspeed,  1905.  2  p.l.,  [23]  p. 
illus.    8°.  MDVK 

no.  54  of  an  edition  of  75  copies. 

Callot,  Jacques.  Le  pedigree;  erreurs  et 
verites  en  art.  Jacques  Callot. .  .Jean- 
Honore  Fragonard...  Par  A.  Alvin- 
Beaumont.  Paris:  Alvin-Beaumont,  1913. 
1  p.l.,  (1)6-31(1)  p.    illus.    4°.  tMDG 

Cole,  Timothy.  Old  Dutch  and  Flemish 
masters,  engraved  by  Timothy  Cole,  with 
critical  notes  by  John  C.  Van  Dyke,  and 
comments  by  the  engraver.  New  York: 
The  Century  Co.,  1911.  x  p.,  1  1.,  192  p. 
illus.    4°.  MEM 

Cousins.  Samuel.  Samuel  Cousins,  by 
Alfred  Whitman...  London:  G.  Bell  & 
Sons,  1904.  xii,  143(1)  p.  illus.  f°.  (Nine- 
teenth century  mezzotinters.) 

t  MDG  (Cousins) 


PRINTS  AND  THEIR  PRODUCTION  — SUPPLEMENT 


Individual  Artists,  continued. 

Cruikshank,  George.  Cruikshankiana;  a 
choice  collection  of  books  illustrated  by 
George  Cruikshank,  together  with  original 
water-colors,  pen  and  pencil  drawings, 
etchings,  caricatures  and  original  proofs. 
With  introductory  remarks  on  the  life  and 
works  of  George  Cruikshank,  by  Arthur 
Bartlett  Maurice.  Offered  by  Robert  H. 
Dodd...New  York.  iNew  York,  1916.] 
40  p.,  7  pi.,  1  port.    8°.    MDG  (Cruikshank) 

Cruikshank's    water    colours;    with 

introduction  by  Joseph  Grego.  London: 
A.  &  C.  Black,  1903.  xxvi  p..  1  1.,  325(1)  p., 
67  col'd  pi.    illus.    8°.    MDG  (Cruikshank) 

Contents:  Introduction.  —  Oliver  Twist,  by 
Charles  Dickens.  —  The  miser's  daughter,  by  W.  H. 
Ainsworth.  —  History  of  the  Irish  rebellion  in  1798, 
and  Emmet's  insurrection  in  1803,  by  W.  H. 
Maxwell. 

Dyck,  Sir  Anthonie  van.  Van  Dyck;  his 
original  etchings  and  his  iconography,  by 
Arthur  M.  Hind.  Boston:  Houghton  Mif- 
flin Co.,  1915..  ix,  104  p.,  1  1.,  1  port,  illus. 
8°.  MDG 

no.  112  of  450  copies  printed. 

Eaton,  Hugh  M.  Hugh  &  Margaret 
Eaton  &  their  book  plates.  Boston:  printed 
at  the  Troutsdale  Press  and  sold  by  C.  E. 
Goodspeed,  1905.  4  p.l.,  [10]  p.,  19  pi., 
1  port.  8°.  (Monographs  on  American 
book-plate  designers.)  MDVK 

Edwards.  Edward  Bartholomew.  Edward 
Edwards  and  his  book  plates.  Boston: 
printed  at  the  Troutsdale  Press  and  sold  by 
C.  E.  Goodspeed,  1903.  2  p.l.,  [5]  p.,  9  pi., 
1  port.    8°.  MDVK 

Text  by  W.  P.  Truesdell. 
no.  46  of  75  copies. 

Frost,  Mrs.  Marguerite  Scribner.  Mar- 
guerite Scribner  Frost  and  her  bookplates. 
Boston:  printed  at  the  Troutsdale  Press 
and  sold  by  C.  E.  Goodspeed,  1903.  2  p.l., 
[6j  p.,  9  pi.,  1  port.    8°.  MDVK 

Text  by  O.  P.  Hatton. 
no.  46  of  75  copies. 

Goya  y  Lucientes,  Francisco  Jose  de. 
Nouveaux  caprices  de  Goya.  Suite  de 
trente-huit  dessins  inedits,  publics  avec 
une  introduction  de  Paul  Lafond.  Paris: 
Societe  de  propagation  des  livres  d'art, 
1907.    2p.l.,  11(1)  p.,  31.,  38  mounted  pi.    f°. 

tMEM 

Copy  no.  152  of  600  copies  printed. 

Gregson,  Herbert.  Herbert  Gregson  and 
his  book  plates.  Boston:  printed  at  the 
Troutsdale  Press  and  sold  by  C.  E.  Good- 
speed,  1903.    1  p.l.,  [3]  p.,  14  pi.,  1  port.    8°. 

MDVK 

Text  by  W.  P.  Truesdell. 
no.  49  of  75  copies. 

Hapgood,  Theodore  Brown.  Bookplates 
designed   by   Theodore    Brown    Hapgood. 


Boston:  printed  at  the  Trovtsdale  Press; 
pvblished  &  sold  by  C.  E.  Goodspeed,  1907. 
3  p.l.,  [4]  p.,  20  pi.,  1  port.    8°.  MDVK 

Hurley,  Edward  Timothy.  Cincinnati: 
prints  from  the  etchings  of  E.  T.  Hurley, 
with  comment  by  Amelia  Hickenlooper 
Dunham.  Cincinnati:  A.  B.  Closson,  Jr., 
Co.,  1916.    34  1.,  1  port,    illus.    12°. 

MEM  (Hurley) 

The    town    of    the    beautiful    river, 

etchings  by  E.  T.  Hurley,  text  by  E.  R. 
Kellogg.    Cincinnati,  O.:  \J.  P.  James,  1915. 

3  p.l.,  (1)6-65  p.    illus.    12°.  MEM 

Iorio,  Adrian  J.  Adrian  J.  lorio  and  his 
book  plates.  Boston:  printed  at  the 
Troutsdale  Press  and  sold  by  C.  E.  Good- 
speed,  1903.    2  p.l.,  [7]  p.,  1  port,    illus.    8°. 

MDVK 

no.  49  of  an  edition  of  75  copies. 

Jacobson,  Frederick  Arthur.  F.  Arthur 
Jacobson  and  his  book  plates.  Boston: 
printed  at  the  Troutsdale  Press  and  sold 
by  C.  E.  Goodspeed,  1903.  1  p.l.,  [4]  p., 
16  pi.,  1  port.    8°.  MDVK 

Text  by  Winfred  Porter  Truesdell. 
no.  50  of  75  copies. 

Lambert,  Mark.  Lambert  (of  New- 
castle-upon-Tyne) as  an  engraver  of  book- 
plates, by  John  Vinycomb. .  .reprinted 
from  the  Journal  of  the  Ex  Libris  Society, 
corrected  and  revised.  58  selected  ex- 
amples from  the  copperplates  in  the  pos- 
session of  Lambert's  successors.  With 
biographical  notes  and  memoranda  on  124 
book-plates  executed  by  Lambert,  by 
Richard  Welford. .  .and  an  appendix  — 
Notes  on  the  heraldry  of  the  plates,  by 
John  Vessey  Gregory.  Newcastle-upon- 
Tyne:  A.  Reid  &  Co.,  Ltd.,  1896.  49(1)  p., 
1  1.,  49  pi.    illus.    12°.  MDVK 

no.  88  of  150  copies  printed  and  signed  by  the 
author. 

Meryon,  Charles.  Old  Paris;  twenty 
etchings  by  Charles  Meryon,  with  an  essay 
on  the  etcher  by  Philip  Gilbert  Hamer- 
ton.  Liverpool:  H.  Young  &  Sons,  Ltd., 
1914.    20  p.,  20  pi.    8°.         MDG  (Meryon) 

Moreau,  Jean  Michel,  le  jeune.  Notes  sur 
les  trois  suites  d'estampes  pour  servir  a 
I'histoire  des  modes  et  du  costume  en 
France,  dans  le  xviii*  siecle  d'apres  les 
dessins  de  Sigismond  Freudeberg  et  de 
Jean-Michel  Moreau  le  jeune.    n.  p.  [190-?]. 

4  1.    4°.  MEM  (Moreau) 

Manuscript  notes  on  four  leaves  in  manila  cover. 
Newspaper  clipping  inserted. 

The  three  suites,  each  consisting  of  12  pieces, 
were  published  successively  in  1773,  1777  and  1783, 
the  first  after  Freudeberg,  the  second  and  third 
after  Moreau. 

Munch,  Edvard.  Edvard  Munch,  von 
Hermann  Esswein.  Miinchen:  R.  Piper  & 
Co.  [1905.]  47(1)  p.  illus.  f°.  (Esswein,  H. 
Moderne  Illustratoren.    Heft  7.)      t  MDG 


THE  NEW  YORK  PUBLIC  LIBRARY 


Individual  Artists,  continued. 

Pennell,  Joseph.  A  little  book  of  Lon- 
don, by  Joseph  Pennell.  Boston:  LeR. 
Phillips  tl912].  27  1.  illus.  8°.  (The 
cities  series.)  MEM  (Pennell) 

Mounted  photogravures  with  descriptive  text  on 
opposite  pages. 

Joseph    Pennell's    pictures    in    the 

land  of  temples;  reproductions  of  a  series 
of  lithographs  made  by  him  in  the  land  of 
temples,  March -June,  1913,  together  with 
impressions  and  notes  by  the  artist.  Lon- 
don: W.  Heinemann  [1915].  5  p.l.,  40  pi. 
8°.  MEM  (Pennell) 

Each  plate  accompanied  by  a  leaf  with  author's 
notes. 

•  Joseph    Pennell's    Pictures    of    the 

wonder  of  work;  reproductions  of  a  series 
of  drawings,  etchings,  lithographs,  made  by 
him  about  the  world,  1881-1915,  with  im- 
pressions and  notes  by  the  artist.  Phila- 
delphia: J.  B.  Lippincott  Co.,  1916.  14  p., 
54  1.,  52  pi.    4°.  MEM  (Pennell) 

Robins,  William  P.  A  catalogue  of  the 
etchings,  drypoints  and  aquatints  of  Wil- 
liam P.  Robins...  (With  an  introduction 
by  John  Cournos.)  London:  P.  &  D.  Col- 
naghi  &  Obach,  1917.  29  p.,  1  port,  illus. 
8°.  MDG 

RoTHENSTEiN,  William.  Exhibition  of 
portrait  lithographs  by  William  Rothen- 
stein.  Department  of  Fine  Arts,  Carnegie 
Institute,  December  the  fourth  through 
December  the  thirty-first,  nineteen  hun- 
dred and  sixteen.  [Pittsburgh,  1916.]  3  1. 
8°.  MDG  (Rothenstein) 

Sacker,  Amy  M.  The  book  plates  of 
Amy  M.  Sacker.  Boston:  printed  at  the 
Troutsdale  Press  and  sold  by  C.  E.  Good- 
speed,  1903.    2  p.l.,  tS]  p.,  12  pi.,  1  port.    8°. 

MDVK 

Sandrart,  Joachim  von.  Joachim  von 
Sandrart  als  Kiinstler,  nebst  Versuch  eines 
Katalogs  seiner  noch  vorhandenen 
Arbeiten,  von  Paul  Kutter;  mit  7  Licht- 
drucktafeln.  Strassburg:  J.  H.  E.  Heitz, 
1907.  ix  p.,  1  1.,  148  p.,  1  1..  7  pi.  8°. 
(Studien  zur  deutschen  Kunstgeschichte. 
Heft  83.)  MCK  (Sandrart) 

Seymour,  Ralph  Fletcher.  Bookplates 
from  the  designs  of  Ralph  Fletcher  Sey- 
mour. Boston:  printed  at  the  Troutsdale 
Press  and  sold  by  C.  E.  Goodspeed,  1903. 
2  p.l.,  [8]  p.,  12  pi.,  1  port.    8°.  MDVK 

no.  47  of  75  copies  printed. 

Stauffer,  David  McNeely.  D.  McN. 
Stauffer  his  book-plates.  Boston:  printed 
at  the  Troutsdale  Press  and  sold  by  C.  E. 
Goodspeed  [1905].  2  p.l.,  [4]  p.,  1  port, 
illus.    8°.  MDVK 

Turner,  Joseph  Mallord  William.  A  cata- 
logue of  the  collection  of  prints  from  the 


Liber  studiorum  of  Joseph  Mallord 
William  Turner,  formed  by  the  late  Francis 
Bullard,  of  Boston,  Massachusetts,  and  be- 
queathed by  him  to  the  Museum  of  Fine 
Arts  in  Boston.  Boston:  privately  printed 
[at  the  Merrymount  Pressj.  1916.  6  p.l., 
3-203(1)  p.    illus.    f°.         t  MDG  (Turner) 

"Acknowledgment"  signed:  Grenville  Lindall 
Winthrop. 

Watteau,  Antoine.  Catalogue  des 
estampes  formant  I'oeuvre  grave  d'Antoine 
Watteau.  Dont  la  vente  aura  lieu  a  Paris, 
Hotel  Drouot,  salle  no.  10,  le  mardi  23 
decembre  1913  a  2  heures  precises,  par  le 
Ministere  de  M^  Andre  Desvouges. .  .as- 
siste  de  M.  Loys  Delteil...  [Paris: 
Frazier-Soye,  1913.]    22(1)  p.    illus.    8°. 

MDG 

Witsen,  Willem.  Annotated  list  of  the 
etchings  of  Willem  Witsen.  [Amsterdam, 
1915.]    9  1.    illus.    4°.  MDG  (Witsen) 

An  autograph  manuscript  list  prepared  by  Witsen, 
accompanied  by  illustrations  from  E.  J.  Van  Wisse- 
lingh  &  Company's  sale  catalogue. 

Willem  Witsen,  door  Aeg.  W.  Tim- 
merman.  Amsterdam:  Uitgevers-Maat- 
schappy  "Elsevier."  1912.  18  p.,  9  pi., 
1  port.  f°.  (Hollandsche  schilders  van 
dezen  tijd.)  f  MDG  (Witsen) 

ZwART,  Willem  de.  Willem  de  Zwart, 
door  A.  de  Meester-Obreen.  Amsterdam: 
Uitgevers-Maatschappy  "Elsevier,"  1912. 
15  p.,  7  pi.,  1  port.  f°.  (Hollandsche 
schilders  van  dezen  tijd.)    f  MDG  (Zwart) 


Etching 

American  Institute  of  Graphic  Arts. 
Catalogue.  An  exhibition  of  etchings  by 
contemporary  American  artists,  February 
twenty-eighth  to  March  twenty-third, 
nineteen-seventeen,  at  the  National  Arts 
Club,  New  York.  [New  York:)  American 
Institute  of  Graphic  Arts  [1917].  2  p.l., 
7-31  p.,  4  pi.    4°.  MDN 

Art  Club  of  Philadelphia.  Catalogue  and 
price  list.  Annual  exhibition  of  contem- 
porary etching.  [no.]  2  (April,  1916). 
Philadelphia,  1916.    12°.  MDN 

Associazione  italiana  acquafortisti  e 
incisori,  Milan.  Esposizione  d'incisione 
italiana,  Londra  1916.  Pro  Croce  rossa 
italiana...  Milano:  Alfieri  &  Lacroix 
[1916).    xxii  p.,  1  1.,  66  p.,  2  1.,  1  pi.    4°. 

MDN 

Bradley,  William  Aspenwall.  The  etch- 
ing of  figures:  with  an  original  etching  by 
William  Auerbach  Levy.  Marlborough- 
on-Hudson  [N.  Y.]:  D.  Hunter,  1915.  2  p.l., 
7-12  p.,  2  1.,  1  pi.    4°.  t  MDN 

One  of  250  copies  printed. 

Issued  by  the  Chicago  Society  of  Etchers. 


PRINTS  AND  THEIR  PRODUCTION  — SUPPLEMENT 


Etching,  continued. 

California  Society  of  Etchers.  An  ex- 
hibition of  dry  points,  etchings,  aquatints, 
color  etchings,  lithographs,  woodblocks 
and  monotypes.  1913.  [San  Francisco, 
1913?]    12°.  MDN 

Chicago  Society  of  Etchers.  Annual 
bulletin...  [uo.]  4-5  (1913-14).  [Chicago,! 
1914-15.    i°.  MDN 

Catalogue  of  [annual]  exhibition  of 

works    by   American    etchers...      1911-14. 
[Chicago,  1911-14.]    8°.  MDN 

See  also  under  Bradley,  W.  A.,  and  Weiten- 
kampf,  F. 

Hitchcock,  James  Ripley  Wellman. 
Some  modern  etchings;  original  plates  by 
S.  G.  McCutcheon,  Frank  Waller,  J.  A.  S. 
Monks,  J.  S.  King,  Gabrielle  D.  Clements, 
Walter  Satterlee,  J.  Wells  Champney, 
Joseph  Pennell,  Elliott  Daingerfield,  Kath- 
erine  Levin.  Text  by  J.  R.  W.  Hitchcock. 
New  York:  White,  Stokes  &  Allen,  1884. 
25  1.,  9  pi.    f°.  tfMEE 

Plate  by  J.  A.  S.  Monks  missing. 
Plates  accompanied  by  guard-sheets, 
no.  12  of  the  signed  and  numbered  cloth  portfolio 
edition. 

New  York  Etching  Club.  Catalogue. 
1893/94.    [New  York,  1894.,    8°.  MDN 

Weitenkampf,  Frank.  The  etching  of 
contemporary  life,  with  an  original  etching 
by  Ernest  D.  Roth.  Marlborough-on-Hud- 
son:  D.  Hunter,  1916.    7  1.,  1  pi.  f°.    f  MDN 

"Issued  by  the  Chicago  Society  of  Etchers  for  its 
associate  members." 


illustrated    with    woodcuts.      New    York: 
Grolier  Club,  1916.    6  p.l.,  3-84  p.,  1  1.    8°. 

MDO 

One  of  260  copies  printed. 

Contents:  Anthony,  A.  V.  S.,  An  art  that  is 
passing  away.  Cole,  Timothy,  The  analogy  between 
wood-engraving  and  painting.  Kingsley,  Elbridge, 
Memories  of  wood-engraving.  Granniss,  Ruth  S., 
List  of  American  books  illustrated  with  woodcuts  ex- 
hibited at  the  Grolier  Club,  from  April  8  to  May  8, 
1915.     Index. 

Gusman,  Pierre.  La  gravure  sur  bois  et 
d'epargne  sur  metal  du  xiv*  au  xx«  siecle. 
Paris:  R.  Roger  &  F.  Chernoviz,  1916. 
299(1)  p.    illus.    4°.  tMDO 

no.  417  of  600  copies  printed. 

John  Rylands  Library,  Manchester. 
Woodcuts  of  the  fifteenth  century  in  the 
John  Rylands  Library,  Manchester,  re- 
produced in  facsimile  with  an  introduction 
and  notes,  by  .  Campbell  Dodgson,.. 
Manchester:  University  Press;  New  York: 
Longmans,  Green  &  Company,  1915.  17  p., 
1  1.,  8  [i.e.,  10)  pi.  f°.  (The  John  Rylands 
facsimiles,    no.  4.)  f  MDO 

In  portfolio. 

Perrout,  Rene.  Les  images  d'fipinal... 
Preface  par  Maurice  Barres...  Paris:  P. 
Ollendorff  [1914?].  x,  160  p..  1  1.,  5  pi.  illus. 
new  ed.     f°.  f  MDO  (Images) 

Roettinger,  Heinrich.  Die  Holzschnitte 
zur  Architektur  und  zum  Vitruvius  teutsch 
des  Walther  Rivius,  von  Heinrich  Rot- 
tinger;  mit  25  Abbildungen  auf  14  Tafeln 
und  1  Abbildung  im  Text.  Strassburg:  J. 
H.  E.  Heitz,  1914.  51  p.,  2  1.,  14  pi.  8°. 
(Studien  zur  deutschen  Kunstgeschichte. 
Heft  167.)  MDO 


Wood  Engraving 

Baer,  Leo.  Die  illustrierten  Historien- 
biicher  des  15.  Jahrhunderts;  ein  Beitrag 
zur  Geschichte  des  Formschnittes.  Strass- 
burg: J.  H.  E.  Heitz  (Heitz  &  Mundel), 
1903.    216,  xcvip.    illus.    4°.  MDO 

Bracquemond,  Felix,  fitude  sur  la  gra- 
vure sur  bois  et  la  lithographic.  Paris: 
Imprime  pour  H.  Beraldi,  1897.  vii,  94  p., 
1  1.    8°.  MDO 

Fletcher,  F.  Morley.  Wood-block  print- 
ing; a  description  of  the  craft  of  wood- 
cutting &  colourprinting,  based  on  the 
Japanese  practice;  with  drawings  and  illus- 
trations by  the  author  and  A.  W.  Seaby. 
Also  collotype  reproductions  of  various 
examples  of  printing,  and  an  original  print 
designed  and  cut  by  the  author,  printed  by 
hand  on  Japanese  paper.  London:  J.  Hogg, 
1916.  xxiii,  131(1)  p.,  24  pi.  diagrs.  12°. 
(Artistic  crafts  series  of  technical  hand- 
books.) MDO 

Grolier  Club  of  the  City  of  New  York. 
Wood-engraving:  three  essays,  by  A.  V.  S. 
Anthony,  Timothy  Cole,  and  Elbridge 
Kingsley;  with  a  list  of  American  books 


Book  Plates 

Fonteney,  E.  J.  Les  marques  &  ex-libris 
des  corporations  du  livre.  Paris:  H.  Le- 
clerc,  1909.    Ixxxi,  [2]  p.    illus.    4°. 

MDVK 

Radin,  Herman  Theodore.  On  medical 
book-plates.  [Saranac  Lake,  N.  Y.,  1915.] 
314-319  p.    illus.    4°.  tMDVC 

Excerpt:  The  medical  Pickwick,  Aug.,  1915. 

Sjogren,  Artur.  Svenska  exlibris.  i. 
Fortecknade  och  utgivna  av  Arthur 
Sjogren.  Stockholm:  A.-B.  Hasse  W.  Tull- 
bergs  forlag  [1915].    illus.    4°.         f  MDVK 

Contents:    i.  Topografiska  exlibris.     i. 

Ward,  Harry  Parker.  Some  American  col- 
lege bookplates;  a  presentation  of  plates, 
old  and  new,  used  by  educational  institu- 
tions, individuals,  fraternities  and  clubs,  to 
which  are  added  those  of  a  few  learned 
societies...  With  an  introduction  by 
Theodore  Wesley  Koch...  And  a  check- 
list of  bookplate  literature  by  Winward 
Prescott.  Columbus,  O.:  [Champlin  Prtg. 
Co.,]  1915.    482  p.,  16  mounted  pi.    illus.    8°. 

MDVK 


THE  NEW  YORK  PUBLIC  LIBRARY 


Illustration  and  Caricature 

Bradley,  Luther  Daniels.  Cartoons  by- 
Bradley,  cartoonist  of  the  Chicago  Daily 
News;  with  a  biographical  sketch  and  an 
appreciation.  Chicago:  Rand,  McNally  & 
Company,  1917.    104  p.    illus.    4°.        MEM 

"Biographical  sketch"  signed:  Henry  J.  Smith. 

Cesare,  O.  E.  One  hundred  cartoons. 
Boston:  Small,  Maynard  &  Company,  1916. 
6  p.l.,  199  p.  of  illus.,  1  pi.    4°.  MEM 

Illustrations  printed  on  one  side  of  leaf  only. 

Champfleury,  pseud,  of  Jules  Fleury.  Le 
musee  secret  de  la  caricature.  Paris:  E. 
Dentu,  1888.  x  p.,  1  1.,  249  p.,  1  1.,  1  pi. 
illus.    12°.  MDY 

Contents:    Caragueuz.     La  caricature  au  Japon. 

Cory,  J.  Campbell.  The  cartoonist's  art. 
Chicago:  Tumbo  Co.,  1912.  79  p.  illus. 
4°.  MDY 

DeBeck  &  Carter  Feature  Service,  Pitts- 
burgh. DeBeck  action  sketches.  Pitts- 
burgh, 1916.  1  1.,  10  pi.  2.  ed.  ob.  8°. 
(Comic  art  series.    Book  2.)  MDY 

DeBeck   cartoon   hints...      Book   1. 

[Pittsburgh:    DeBeck    &     Carter    Feature 
Service,]  cop.  1915.    illus.    ob.  8°.         MDY 

Esprit  frangais;  les  caricaturistes.  Pre- 
face d'Arsene  Alexandre.  Paris:  Berger- 
Levrault,  1916.  xxx,  159(1)  p.  illus.  16°. 
(Pages  d'histoire,  1914-1916.     tfasci     112.) 

BTZE  (Pages) 

Fumiss,  Harry.  More  about  how  to 
draw  in  pen  and  ink.  London:  Chapman 
&  Hall,  Ltd.,  1915.  2  p.l.,  (i)viii-ix  p.,  1  1., 
124  p.,  1  pi.    illus.    4°.  MBB 

Contents:  Its  commercial  use.  Fashion  drawing. 
Method  and  muddle.  Illustrating  stories.  Difficulty 
of  illustrating  artist-authors.  Caricature.  Character 
drawing.  A  word  to  the  amateur.  A  master  to 
follow.     Cartooning.    Drawing  for  the  cinematograph. 

Keene,  Charles  Samuel.  Humorists  of 
the  pencil.  Charles  Keene.  Phil  May.  L. 
Raven-Hill.  A  selection  of  their  most 
humorous  pictures  from  the  pages  of 
"Punch."  London:  "Punch"  Office  rl908i. 
2  p.l.,  80  f.,  1  1.,  80  f.,  80  f.    illus.    8°.      MDY 

Each  part  has  separate  t.-p. 

Wagner,  Irwin.  Grease  pencil  and 
brush;  a  book  on  the  modern  cartoon. 
Waukegan,  III.:  Pearce  Art  School,  1917. 
47  p.    8°.  MDY 

Walpole,  Horace,  4th  earl  of  Orford. 
Caricatures  collected  by  Horace  Walpole 
1770-1784.    39  1.     f°.  fft  MDY 

Binder's  title. 

137  mounted  caricatures. 

Manuscript  note:  "Here  follows  a  few  of  the  best 
prints,  selected  from  a  vast  number,  that  were  pub- 
lished on  the  changes  of  administration  in  1782,  1783 
&  1784,  on  the  coalition  between  Mr.  Fox  &  Lord 
North,  on  Mr.  Fox's  East  India  bill  in  1783  and  on 
the  Westminster  election  in  1784." 


Ward,  Leslie.  Forty  years  of  'Spy.' 
London:  Chatto  &  Windus,  1915.  xvi, 
351  p.,  2  facs.,  55  pi.,  14  ports.    8°.      MDG 


Posters 

Duce,  Herbert  Cecil.  Poster  advertising; 
written  and  compiled  by  Herbert  Cecil 
Duce.  Chicago:  Blakely  Prtg.  Co.,  1912. 
2  p.l.,  220  p.,  24  col'd  pi.    illus.    12°.    MDW 

Issued  by  the  Promotion  Bureau  of  the  Poster 
Advertising  Association. 

Verein  der  Plakatfreunde.  Mitglieder- 
liste.    1914.    [Berlin,  1914.]    4°.        f  MDW 


Portraits 

Desnoiresterres,  Gustave  Le  Brisoys. 
Iconographie  voltairienne;  histoire  et  de- 
scription de  ce  qui  a  ete  public  sur  Voltaire 
par  I'art  contemporain.  Paris:  Didier  et 
Cie.,  1879.    158  p.,  1  1.,  24  pi.    4°. 

AOT  (Voltaire) 

Gallatin,  Albert  Eugene.  The  portraits 
of  Albert  Gallatin.  [Boston:]  privately 
printed  [at  the  Merrymount  Press],  1917, 
xiii,  28  p.,  1  1.,  3  ports.    8°.  AOT 

"Fifty  copies  printed  during  February,  1917,  by 
D.  B.  Updike,  the  Merrymount  Press,  Boston, 
U.  S.  A." 

Hart,  Charles  Henry.  Portraits  of 
Patrick  Henry;  remarks  before  the  Numis- 
matic and  Antiquarian  Society  of  Philadel- 
phia, April  17th,  1911.  Philadelphia,  1913. 
1  p.l.,  5  p.,  1  fac,  3  ports.    8°.  AOT 

Repr. :  Numismatic  and  Antiquarian  Society  of 
Philadelphia.     Proceedings. 

Meserve,  Frederick  Hill.  Historical  por- 
traits and  Lincolniana;  index  of  a  part  of 
the  collection  of  Americana  of  Frederick 
Hill  Meserve.  New  York:  privately 
printed,  1915.    xii,  143  p.,  1  port,    illus.    f°. 

fAOF 


Photomechanical  Processes 

Hill,  Thomas  George.  The  essentials  of 
illustration;  a  practical  guide  to  the  repro- 
duction of  drawings  &  photographs  for  the 
use  of  scientists  &  others.  London:  W. 
Wesley  &  Son,  1915.  xii  p.,  1  1.,  91  p.,  2  1., 
12  pi.    illus.    4°.  MDR 

Whittet,  Robert.  Photo-engraving  by 
the  half-tone  process.  Edited  by  A.  C. 
Lamoutte...  New  York:  The  Scovill  & 
Adams  Co..  1895.  65  p.,  1  pi.  illus.  8°. 
(The  Scovill  photographic  series,    no.  54.) 

MDS 

Repr.:  Photographic  times,  Sept.,  1895. 


EXHIBITION   OF 

ETCHINGS  BY  REMBRANDT 

FROM   THE  J.   PIERPONT   MORGAN   COLLECTION 


HELD   AT   THE   NEW   YORK    PUBLIC   LIBRARY 
NOVEMBER   i,  1917  TO  MARCH  31,  1918 


\3'^fi^h 


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OF  THE 
UNIVEKSITY 


NEW  YORK 
I917 


foini  iJ-106  [x-2ii-17  2mJ 


EXHIBITION  OF  ETCHINGS  BY   REMBRANDT 

FROM    THE    J.  PIERPONT   MORGAN    COLLECTION 

By  Frank   Weitenkampf,   L.H.D. 

Chief  of  the  Art  and  Prints  Division 

THE  Prints  Division  of  The  New  York  Public  Library  has  arranged 
an  exhibition  of  about  170  etchings  by  Rembrandt,  selected  from  the 
J.  Pierpont  Morgan  Collection. 

Recurring  exhibitions  of  Rembrandt's  etched  work  are  as  interesting,  as 
desirable,  and  as  inevitable  as  are  the  performances  of  the  plays  of  Shakespeare 
or  the  symphonies  of  Beethoven.  The  present  exhibition  consists  of  a  selec- 
tion of  the  artist's  best  plates,  in  impressions  usually  impeccable,  and  often 
in  states  of  great  rarity.  It  offers  the  delight  of  renewed  acquaintance  to  the 
practised  connoisseur  and  the  opportunity  of  study  for  those  less  experienced. 
Rembrandt's  range  and  power  as  an  etcher  are  illustrated  in  a  remarkably 
adequate  manner,  as  the  selections  have  been  chosen  with  the  aim  of  making 
the  exhibition  representative. 

The  chronological  arrangement  of  an  artist's  work  serves  best  for  the 
study  of  his  progressive  development,  especially  when  his  productions  are  as 
numerous,  as  diverse  in  subject-matter,  as  varying  in  changing  manner  of 
expression  as  are  these  etchings  by  Rembrandt.  Classification  by  subject  (i.  e., 
portraits,  landscapes,  religious,  genre)  as  indicated  by  Bartsch,  has  generally, 
but  not  always,  been  followed  in  Rembrandt  exhibitions.  On  the  initiative 
of  Sir  Seymour  Haden,  the  Burlington  Fine  Arts  Club's  exhibition  of  1877 
was  arranged  chronologically,  as  were  those  of  the  Boston  Museum  (1887) 
and  the  British  Museum  (1899).  For  the  permanent  collection  of  Rem- 
brandt's etchings  in  the  British  Museum  a  similar  course  was  followed,  and 
A.  M.  Hind's  catalogue  of  that  collection  has  been  employed  in  the  arrange- 
ment of  the  present  exhibition.  The  visitor  will  thus  be  able  to  follow  the 
unfolding  of  Rembrandt's  art  throughout  the  three  periods  (1628-39,  1640- 
49,  1650-61)  into  which  Haden  divided  it  according  to  style  and  method. 
Later,  the  exhibition  will  be  rearranged  and  classified  by  subjects.  This 
unusual  plan  will  give  an  opportunity  to  study  the  prints  both  by  chronological 
arrangement  and  according  to  subject  matter. 

In  a  number  of  instances  the  same  plate  appears  in  several  states,  showing 
additions  and  changes  made  by  the  artist.  This  is  a  matter  of  obvious  interest 
to  the  student,  who  is  further  served  by  the  penciled  notes  on  the  mats  of 
the  prints,  giving  title,  date,  state,  and  names  of  former  owners.  The  list 
of  owners  reads  like  a  roll-call  of  well-known  collectors,  with  such  names  as 
Irwin,  Buccleugh,  Aylesford,  Vanderbilt,  and  many  others  of  note.    In  addi- 

[3] 


4  THE  NEW  YORK  PUBLIC  LIBRARY 

tion,  numerous  labels  with  citations  from  various  authorities  accompany  the 
prints  in  the  present  exhibition.  Such  information  has  in  the  past  been  found 
to  be  interesting  and  helpful  to  visitors  in  the  Library's  print  gallery. 

The  attraction  of  Rembrandt,  the  supreme  master  in  his  sphere,  is  a  thing 
apart  from,  and  above,  considerations  of  technique  merely,  or  of  elegance  or 
grace  of  treatment,  or  grandeur  or  beauty  of  subject.  It  is  a  matter  pre- 
eminently of  personality.  As  W.  H.  Downes  says,  common,  every-day  people 
and  episodes  are  presented  with  a  "whole-souled  understanding  and  sympathy" 
which  "leave  an  ineffaceable  impression  of  the  grandeur  of  the  humblest  and 
most  ordinary  of  subjects  when  they  are  seen  through  a  great  temperament." 
Beyond  Rembrandt's  keenness  of  observation,  wonderful  draughtsmanship, 
masterly  control  of  the  medium  he  employed  (ranging  from  the  most  summary 
indication,  as  in  "Six's  Bridge,"  to  a  mezzotint-like  completeness  of  effect, 
as  in  the  portrait  of  Jan  Six)  is  the  intangible  element  of  his  humanness, 
something  not  to  be  analyzed,  "the  spirit,"  as  Binyon  has  it,  "of  one  of  the 
fullest,  deepest  natures  that  ever  breathed." 

The  exhibition,  obviously  of  the  greatest  importance,  will  be  on  view 
until  the  end  of  March.    A  list  of  the  prints  follows. 


ETCHINGS    BY    REMBRANDT    SELECTED    FROM    THE    COLLECTION 

OF    J.  PIERPONT    MORGAN    ON    EXHIBITION    IN    THE 

PRINT   GALLERY,  ROOM  321 


The  prints  are  arranged  according  to  the  numbering  in  Bartsch's  catalogue  of  Rembrandt's  etchings,  with 
states  according  to  Rovinski.  The  figure  in  parentheses,  following  the  number  in  each  case,  represents 
the  numbering  in  A.  M.  Hind's  Rembrandt's  etchings  (1912),  in  which  latter  book  the  items  are  listed  in 
chronological  order,  and  which  lias  also  been  followed  in  the  assigning  of  dates  in  the  present  list. 


Rembrandt  with  moustaches  and  small  beard.    About  1631.    Second  state. 

Rembrandt  with  turned-up  hat  and  embroidered  mantle.     1631.     Ninth  state. 

Portrait  of  Rembrandt's  son  Titus.     About  1656. 

Rembrandt  in  a  slant  fur  cap  and  robe.    1631.    First  state. 

Rembrandt  with  a  round  fur  cap.     1631. 

Rembrandt  with  a  scarf  around  his  neck.     1633.    Third  state. 

Rembrandt  with  drawn  sabre  held  upright.    1634.    Third  state. 

Rembrandt  and  his  wife.     1636.    First  state. 

Rembrandt  in  cap  and  feather.     1638.     Second  state. 

Rembrandt  leaning  on  a  stone  sill.     1639.     First  and  second  states. 

Rembrandt  drawing  at  a  window.     1648.     Fourth,  eighth,  and  ninth  states. 

Rembrandt  with  a  sabre  and  plumed  cap,  in  an  oval.     1634.     Second  and 

third  states. 
Rembrandt  with  a  fur  cap  and  light  dress.    1630.    Fifth  state. 
Rembrandt  with  a  flat  cap.    About  1638.    First  and  second  states. 


2 

(57) 

7 

(54) 

11 

(261) 

14 

(62) 

16 

(56) 

17 

(108) 

18 

(109) 

19 

(144) 

20 

(156) 

21 

(168) 

22 

(229) 

23 

(110) 

24 

(29) 

26 

(157) 

EXHIBITION  OF  ETCHINGS  BY  REMBRANDT 


29 

(286) 

30 

(149) 

33 

(148) 

34 

(214) 

35 

(283) 

36a 

(284) 

36b 

(284) 

36c 

(284) 

36d 

(284) 

37 

(160) 

40 

(172) 

41 

(258) 

42 

(252) 

44 

(120) 

45 

(273) 

49 

(162) 

50 

(279) 

53 

(253) 

55 

(276) 

56 

(266) 

57 

(208) 

58 

(216) 

60 

(278) 

63 

(275) 

64 

(277) 

65 

(257) 

67 

(256) 

68 

(124) 

72 

(198) 

73 

(96) 

74 

(236) 

75 

(293) 

76 

(271) 

78 

(270) 

79 

(173) 

82 

(199) 

83 

(280) 

84 

(215) 

86 

(281) 

87 

(282) 

89^ 

(237) 

91  ' 

(147) 

94 

(301) 

98 

(182) 

99 

(161) 

103 

(232) 

104 

(267) 

Abraham  entertaining  the  angels.     1656. 

Abraham  sending  away  Hagar  and  Ishmael.     1637. 

Abraham  caressing  Isaac.    About  1637.    First  and  second  states. 

Abraham  speaking  to  Isaac.     1645. 

Abraham's  sacrifice.     1655. 

1655. 

1655. 

1655. 

1655. 

1638. 


Print  for  a  Spanish  book. 
Print  for  a  Spanish  book. 
Print  for  a  Spanish  book. 
Print  for  a  Spanish  book. 
Joseph  telling  his  dreams. 
The  Triumph  of  Mordecai. 
David  on  his  knees.     1652. 


Second,  third,  and  fifth  states. 
First  and  third  states. 
First  and  second  states. 
Second  and  third  states. 
Second  state. 
About  1640,  or  later. 
First,  second,  and  third  states. 
Tobit  blind  [the  larger  platej.     1651.     First  state. 
The  Angel  appearing  to  the  shepherds.     1634.     Third  state. 
The  Nativity.    About  1654.     First  state. 
The  Presentation  in  the  vaulted  temple:  oblong  print.     About  1639.     First 

and  second  states. 
The  Presentation  (in  the  dark  manner).     About  1654. 
Flight  into  Egypt.     1651.     Fifth  state. 
Flight  into  Egypt,  Holy  Family  crossing  a  rill.     1654. 

Flight  into  Egypt,  after  Elsheimer.     About  1653.     Fourth  and  sixth  states. 
Repose  in  Egypt.     About  1644.     Fourth  state. 
Repose  in  Egypt,  in  outline.     1645. 

Christ  and  his  parents  returning  from  Jerusalem.     1654. 
The  Holy  Family,  "With  the  serpent."     1654.     First  state. 
Christ  seated,  disputing  with  the  doctors.     1654.     First  and  second  states. 
Christ  disputing  with  the  doctors.     1652.     First  state. 
Christ  preaching  ("La  petite  tombe").     About  1652.     Two  impressions. 
The  Tribute  money.     About  1634.     First  state. 
Resurrection  of  Lazarus;  the  small  plate.     1642.     First  state. 
Resurrection  of  Lazarus;  the  large  plate.     About  1632.     Ninth  state. 
"Hundred  guilder  print"  (Christ,  with  the  sick  around  him,  receiving  little 

children).     About  1649.     Second  state. 
Christ  in  the  Garden  of  Olives.     About  1657? 
Christ  presented  to  the  people.     1655.     First  and  eighth  states. 
The  Three  crosses.     1653.     First,  second,  and  fourth  states. 
The  Crucifixion;  the  small  oval  plate.     About  1640,  or  later.     First  state. 
Descent  from  the  cross,  a  sketch.     1642. 
Descent  from  the  cross;  by  torch-light.     1654.     First  state. 
Christ  carried  to  the  tomb.     About  1645. 
The  Entombment.     About  1654.     First  and  third  states. 
Christ  and  disciples  at  Emmaus;  the  larger  plate.     1654.     First  and  second 

states. 
Christ  in  the  midst  of  his  disciples  (Incredulity  of  Thomas).     1650. 
Return  of  the  prodigal  son.     1636.     First  state. 

Peter  and  John  healing  the  crippled.     1659.     Second  and  third  states. 
Baptism  of  the  eunuch.     1641.     Second  state. 
Death  of  the  Virgin.     1639.     Second  state. 

St.  Jerome  writing  beside  a  pollard  willow.     1648.     Second  state. 
St.  Jerome  reading  in  an  Italian  landscape.     About  1657.     First  and  second 

states. 


THE  NEW  YORK  PUBLIC  LIBRARY 


105  (201)  St.  Jerome  in  meditation.     1642.     First,  second,  and  third  states. 

107  (292)  St.  Francis  praying.     1657.     First  and  second  states. 

109  (165)  Youth  surprised  by  Death.     1639. 

110  (295)  Allegorical  piece;  The  Phoenix.     1658. 

111  (106)  Contrary  fortune.     1633.     Second  state. 

112  (235)  Marriage  of  Jason  and  Creusa.     1648.     First  state. 

118  (183)  The  Three  Orientals.     1641.     Second  state. 

119  (142)  Strolling  musicians.    About  1635.     First  and  second  states. 

120  (184)  The  Spanish  gypsy.    About  1641. 

121  (97)  The  Vendor  of  rat-poison.     Second  state. 
123  (285)  The  Goldsmith.     1655.     First  state. 

126  (234)  Jews  in  synagogue.     1648.     Second  state  and  state  between  second  and  third. 

129  (139)  The  Quacksalver.     1635. 

133  (164)  A  Peasant  in  a  high  cap,  standing,  leaning  on  a  stick.     Two  impressions. 

1639. 

140  (138)  Polander  standing  with  his  arms  folded.     About  1635.     First  state. 

147  (218)  An  Old  man  in  meditation,  leaning  on  a  book.     About  1645.     Second  state. 

152  (93)  The  Persian.     1632.     Second  state. 

159  (248)  The  Shell.     1650.     First  and  second  states. 

163  (9)  Beggar  standing,  profile  to  left,  leaning  on  a  stick.     About  1630. 

170  (219)  Beggarwoman  asking  alms.     1646.     First  state. 

176  (233)  Beggars  at  the  door  of  a  house.     1648.     First  and  second  states. 

179  (12)  Beggar  with  a  wooden  leg.     About  1630.     First  and  second  states. 

197  (296)  Woman  sitting  before  a  Dutch  stove.     1658.     Third  and  seventh  states. 

199  (297)  Woman  preparing  to  dress  after  bathing.     1658.     First  and  second  states. 

200  (298)  Woman  with  her  feet  in  the  water.     1658. 

202  (303)  The  Woman  with  the  arrow.     1661.     Second  and  third  states. 

207  (175)  Small  gray  landscape.     About  1640. 

208  (209)  Six's  bridge.     1645.     Third  state. 

209  (210)  View  of  Omval.     1645.     Second  state. 

210  (176)  View  of  Amsterdam.     About  1640  (or  earlier?).     Second  state. 

212  (205)  The  Three  trees.     1643.     First  and  second  states. 

213  (242)  Landscape  with  the  milkman.     About  1650.     First  and  second  states. 

217  (246)  The  Three  cottages.     1650.    Third  state. 

218  (245)  Landscape  with  a  square  tower.     1650.    Third  state   (Rovinski;  Hind's 

fourth. 

219  (213)  Landscape  with  a  draughtsman.     About  1645." 

221  (264)  Landscape  with  a  road  beside  a  canal.     About  1652.     First  and  second  states. 

222  (263)  A  Clump  of  trees  with  a  vista.     1652.     Second  state. 

223  (244)  Landscape  with  a  ruined  tower  and  clear  foreground.     About  1650.    Third 

and  fourth  states. 

224  (241)  Arched  landscape  with  a  flock  of  sheep.     1650.     First  and  second  states. 

225  (177)  Landscape  with  cottage  and  hay-barn.     1641. 

226  (178)  Landscape  with  cottage  and  large  tree.     1641. 

227  (243)  Landscape  with  an  obelisk.     About  1650.     Second  state. 

228  (212)  Landscape  with  a  canal  and  vessel  under  sail.    About  1645.     First  state. 

232  (203)  The  Cottage  with  the  white  paling.     1642.     First,  third,  and  fourth  states. 

233  (179)  The  Wind  mill.     1641. 

234  (249)  The  Goldweigher's  field.     1651. 

235  (238)  The  Canal  with  swans.     1650.     Second  state. 

236  (239)  Landscape  with  a  canal  and  a  large  boat.     1650.     First  and  second  states. 


EXHIBITION  OF  ETCHINGS  BY  REMB-RANDT  , 


^7- 


237  (240)  Landscape  with  a  cow  drinking.     About  1650.     First  and  second  states. 

259  (169)  An  Old  man  lifting  his  hand  to  his  cap.     About  1639.     First  state. 

261  (189)  Man  at  a  desk,  wearing  a  chain  and  cross.     1641.     Second  and  third  states. 

262  (92)  Old,  white-bearded  man  in  cloak  and  fur  cap,  seated.     About  1632.     Second 

state. 

263  (53)  Man  with  a  short  beard.     1631.     Third  state. 

264  (268)  Jan  Antonides  van  der  Linden.     1665.     Fifth  and  sixth  states. 

265  (170)  Old  man  with  a  divided  fur  cap.     1640.     First  state. 

266  (111)  Jan   Cornelis   Sylvius.     1634.     State  between  first  and  second,  and  second 

state. 

268  (151)  A  Young  man  musing.     1637.     Second  state. 

269  (146)  Samuel  Manassah  Ben  Israel.     1636.     Second  state. 

270  (260)  Dr.  Faustus.     About  1652.     Second  state  and  state  between  second  and  third. 

271  (187)  Cornelis  Claesz  Ansloo.     1641.     First,  second,  and  third  states. 

272  (251)  Clement  de  Jonghe.     1651.     First  and  sixth  states. 

272  (251)  Clement  de  Jonghe  (Japanese  paper).     First  state. 

273  (291)  Abraham  Francz.    About  1656,  or  later?     Fourth,  seventh,  and  eighth  states. 

274  (287)  Jacob  Haaring  (The  "Old  Haaring").    Second  state. 

275  (288)  Thomas  Jacobsz  Haaring  (The  "Young  Haaring").     1655.     First  and  fifth 

states. 

276  (290)  Jan  Lutma,  the  elder.     1656.     First  and  second  states. 

277  (227)  Jan  Asselyn,     About  1647.     First,  second  and  third  states. 

278  (226)  Ephraim  Bonus.     1647.     Second  state. 

279  (128)  Jan  Uytenbogaert.     1635.     Fifth  state. 

280  (225)  Jan  Cornelis  Sylvius.     1646.     Second  state. 

281  (167)  Jan  Uytenbogaert;  the  "Goldweigher."     1639.     First  and  third  states. 

282  (269)  Lieven  Willemsz  van  Coppenol.     About  1653.     Second  state. 

283  (300)  Lieven  Willemsz  van  Coppenol  (the  larger  plate).     About  1658.     Fifth  state. 

284  (289)  Arnold  Tholinx.     About  1656.     First  state. 

285  (228)  Jan  Six.     1647.     Second  and  third  states. 

286  (131)  The  First  Oriental  head.     1635.     Second  state  and  state  between  second 

and  third. 

287  (132)  The  Second  Oriental  head.     About  1635. 

288  (133)  The  Third  Oriental  head.     1635. 

289  (134)  A  Young  man  with  long  hair  wearing  a  cap  ["Fourth  Oriental  head"].    About 

1635.     Second  state. 

290  (130)  Old  bearded  man  in  high  fur  cap,  with  eyes  closed.     About  1635. 

291  (26)  Bust  of  an  old  man.     About  1630. 

292  (23)  Bald-headed  man  in  profile  to  right.     1630.     State  between  third  and  fourth. 
304  (21)  Bust  of  a  man  in  full  face,  wearing  a  close  cap.     1630.     Fifth  and  sixth  states. 

310  (188)  Portrait  of  a  boy.     1641. 

311  (158)  Man  with  broad-brimmed  hat  and  ruff.     1630  (or  1638?).    First  and  second 

states. 

312  (49)  Bust  of  old  man  with  a  large  beard  and  fur  cap.     About  1631.     Second  state. 

313  (150)  Bust  of  an  old  man  with  square  beard  and  jewelled  velvet  cap.     1637. 
340  (127)  The  Great  Jewish  bride.     1635.     First  and  fourth  states. 

343  (52)  Rembrandt's  mother,  with  a  black  veil.     About  1631.     Third  state. 

344  (91)  Rembrandt's   mother,   in   widow's   dress   and   black   gloves.     About   1632? 

Second  and  third  states. 

350  (129)  Old  woman  fallen  asleep  over  a  book.     About  1635-37? 

354  (1)  Rembrandt's  mother;  bust,  slightly  etched.     1628.     Second  state. 

365  (145)  Studies  of  six  heads,  Saskia  in  centre.     1636.     Second  state. 

367  (153)  Three  heads  of  women,  one  slightly  etched.     About  1637.     Second  state. 


U?^^>-V'::.  •    •   ... 


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